Adam's Filmmaking Adventures
Pictures of Adam doing what he does best (besides embarrass himself in front of women).
Adam is holding a slate. This lends him instant credibility in the filmmaking
community.
"What is that
funny thing for, Adam?" you ask. Well, when you shoot film, you record
the sound on a separate tape. Assistant editors are later on forced to match
the picture and sound together on every take using the "clap" sound
and the visual reference of the slate clacking together. It's an irritating
job. Trust me on this.
Despite the fact that I am a strong supporter of digital video, I will consent
to having my picture taken with a film camera. (By that am I referring to the
fact that I am posing next to a film camera, or that this photograph was shot
on film? Hmm.)
(Taken from the set of Crack Kildare. Written and directed by Jeremy
Brunjes. Produced by Patty West and Louis Provost. I was video assist / camera
PA under director of photography Stefani Foster.)
Making movies is fun.
(Taken from the set
of Crack Kildare.)
Script supervising requires intense concentration. And a stopwatch, for some
reason. Note the Guy in his Basement Productions logo on my t-shirt (buy
one please), cruelly obscured by the evil stopwatch.
(Taken from the set of Two Ugly Sisters. Directed by Daniel Viney. Produced
by Li-Wei Chu. Written by Daniel Viney and Adam Bertocci. I was the co-writer
and script supervisor.)
Here I am on set taking stills to use for reference later on in post-production.
Note the expertise and confidence with which the accomplished filmmaker handles
the simple consumer-grade still camera.
(Taken from the set of The Caseys. Directed by Abby France. Produced
by Whitney LeBoeuf and Erika Bennett. Written by Daniel Sinclair. I was a special
effects assistant and titles designer under special effects coordinator Daniel
Viney.)
A little stop-motion animation never hurt anyone.
(Taken from the 'set' of Have You Seen This Man? Directed by Daniel Viney.
Produced by Sarah Platt and Jeremy Latcham. I was the character animator.)
My most important function on any shoot is to regularly patrol the location
for ghosts. (Okay, not really, but I had nowhere else to put this picture, which
I am fond of despite my facial expression. Besides, for all you know this is
what the "best boy" does.)
Me with a crucial part of the greatest screenplay ever written.
I'm in the movie Hitch for one whole shot. (I'm on the left.) This was way too much fun.
Here's me in my very first fan film, Young Jedi: High School Student. It all seems so long ago now...
Because I have so few good pictures of myself, I'm just gonna share this with
you and call it a wrap. Thanks for visiting.
TFN Jedi Council forum visitors, click here or here :)